Best 35mm Film Cameras
| Last Updated: July 25, 2018
Whether it’s a once in a lifetime adventure or a return to place you visit often, you want to capture the memories in pictures to share and appreciate. It’s easier today than ever to take still photos over a range of equipment, but they might not be the right kinds of photos for your longer term plans.
What are the 15 best cameras to use for your travel photos?
The answer is both simple and complex, since you’ll want versatility and durability. Why are you taking the pictures? What are you photographing? How advanced are your skills and what’s your budget?
Answering these questions first gives you a better shot at finding the kind of travel camera for your needs. The possibilities cover everything from your smartphone to 35mm film, and compact point-and-shoots to pro-level digital single lens reflex (DSLR) specialty gear.
This article will help you understand the decisions you need to make before you select the best equipment for you.
Top 15 Travel Cameras
| Ranking | Camera | Weather | Type | RAW | Video | Review | Price | |
|---|---|---|---|---|---|---|---|---|
| #1 |  | Canon Canonet G-III QL-17 | No | 35mm film rangefinder | N/A | N/A | Jump to Review | See Price on Amazon |
| #2 |  | Canon AE-1 | No | 35mm film SLR | N/A | N/A | Jump to Review | See Price on Amazon |
| #3 |  | Canon PowerShot SX730 HS | No | Compact digital | No | 1920 x 1080 | Jump to Review | See Price on Amazon |
| #4 |  | Sony Cyber-shot DSC-RX100 VI | No | Compact digital | Yes | 4K (HD) | Jump to Review | See Price on Amazon |
| #5 |  | Fujifilm FinePix XP130 | Water-proof | Compact digital | No | 1920 x 1080 | Jump to Review | See Price on Amazon |
| #6 |  | Nikon Coolpix W300 | Water-proof | Compact digital | No | 4K (HD) | Jump to Review | See Price on Amazon |
| #7 |  | Olympus Tough TG 5 | Water-proof | Compact digital | Yes | 4K (HD) | Jump to Review | See Price on Amazon |
| #8 |  | Nikon D3400 | No | DSLR | Yes | 1920 x 1080 | Jump to Review | See Price on Amazon |
| #9 |  | Canon EOS Rebel T7i | No | DSLR | Yes | 1920 x 1080 | Jump to Review | See Price on Amazon |
| #10 |  | Pentax K-70 | Yes | DSLR | Yes | 1920 x 1080 | Jump to Review | See Price on Amazon |
| #11 |  | Olympus OM-D E-M10 Mark III | No | Mirrorless DSLR | Yes | 4K (HD) | Jump to Review | See Price on Amazon |
| #12 |  | Sony Alpha7R III | Weather sealed | Mirrorless DSLR | Yes | 4K (HD) | Jump to Review | See Price on Amazon |
| #13 |  | Kodak Fun Saver 800 | No | Single use disposable | N/A | N/A | Jump to Review | See Price on Amazon |
| #14 |  | Fujifilm QuickSnap Flash 400 | No | Single use disposable | N/A | N/A | Jump to Review | See Price on Amazon |
| #15 |  | TIE - Kodak Weekend Underwater & Fujifilm QuickSnap Waterproof | Water-proof | Single use disposable | N/A | N/A | Jump to Review | See Price on Amazon |
Matching Gear Features With Your Needs
We take travel pictures for a variety of reasons, and what we do with them later are as different and unique as each of us. One person’s idea of cool images to share on social media might be another’s money-earning potential. Camera features meet a range of needs, and that’s where we begin our selection decision.
Sitting on my desk right now are three cameras, four, if you count this laptop. I have a smartphone near at hand, with its ever-present ability to swipe and tap to capture a shot.
I also keep a point-and-shoot close by if I want to do something more artistic to tuck into my pocket, and a DSLR for special shots or for when I want to get even more artsy.
Which one is the best for my shooting needs? It depends, and it will for you too. My use of each varies based on the what and why of my images.
Do you shoot a single type of travel scene?
Selfies. A week at the shore or on the slopes. Landscapes. Wildlife close-ups. Action shots of sports events. The list of image subjects is as wide as the world.
The trouble arises when we like to shoot a mishmash of these subjects.
Take, for example, a cruise. You might want to take photos of your kids plunging down the waterslide one day and a vista at the beach the next. Throw in family photos at a nighttime event, and things become even more complicated.
It’s best to think about what kinds of photos you will be most likely to shoot, the ones you want to save and return to in the future.
Ten years from now, will you want to remember the name of that cute European square with the Easter decorations? Would you rather keep family albums to share across the generations?
What is your style of shooting, from the hip or with major framing?
Hikers on a recent trip were separated into two categories, the ones who wanted to walk briskly, and what the company called easy walkers, a pace set by the slowest person in the group. For the brisk walkers, any lingering meant a jog to catch up. Easy walkers paused, strolled, and admired.
It should be no surprise that the hiking photographers on the tour ended up in the easy walkers group. Setting up a shot for someone with a DSLR will be more than lifting the camera and pressing the shutter release. Sometimes even a lens change is involved.
Think about how you like to take your photos, fast or slow. If you prefer fast, something like a point-and-shoot might be the right camera for you. On the other hand, framing with precision for most of us not yet at the pro level takes time, unless you like crooked images, that is.
Will you be displaying these photos in a slideshow or in a gallery?
I fully admit I’m one of those photographers who takes hundreds of pictures when we travel. A few end up being gallery quality, and some of them become part of a blog or serve as a reminder of a story I want to tell. Others are doomed to be included in a long slideshow anyone unlucky enough to express an interest in a trip will be forced to watch.
Selfies of our faces in front of a famous landmark or hovering over a meal of unusual ingredients have become standard for many of us. At the other end of the spectrum, imagine being at a nature park. Wild animals group in stunning vignettes and your fingers itch to take the perfect shot, the one you can sell to the stock photo websites.
Experience has taught us that you can take great stock-photo-worthy pictures with a smartphone, and even the best DSLR can’t make up for a lack of understanding about the camera’s settings.
However, if your use for the photos is generally sharing images with family and friends, you have more leniency in the features of the camera than a prosumer with image sales in mind. Match the skills of the cameras to your skills as well as the sophistication of your uses.
How much do you want to carry or blend in?
This one’s easy. Would you rather store your camera in your pocket or a specialty bag? Anywhere in between works, too.
The selection of fashionable gear bags and gadgets to keep expensive (to you) bodies and lenses safe makes it easier to haul your equipment around. That doesn’t mean you should. You’ll be asking yourself if you need all those lenses on this trip, and if you want to broadcast what you’re carrying.
Sometimes, based on subject and site, it’s best to shoot under the radar, being unobtrusive and silent. A compact mirrorless camera lets you slip into the shadows. A noisy single lens reflex (SLR) on a tripod with a big lens is harder to miss.
Are you shooting in environmentally risky conditions?
Some cameras are delicate little flowers, needing coddling and protection. Forget taking them out in the rain. Others are made for water play and accepting of more abuse.
Consider this along with your style of shooting and mobility. A compact camera can still harbor dust in the auto-closing lens. Even smartphones aren’t immune to scratches on the lens face.
Another aspect of durability is how long you plan to keep the camera. If it’s in your smartphone, you’ll probably replace it in the next couple of years. A DSLR lens, on the other hand, is a major investment and one you want to treat with more care.
If you have a range of features, will you use them?
It is truly amazing what smartphone cameras can do these days. The advent of digital photography made it easier than ever to mimic what we used to need a heavy SLR to do. Throw in the resident special effects in editing mode, and you almost have full post-production capability.
Almost is the word, though, because no matter how great micro-technology is, it can’t replace the full set of features of either a pro level camera or professional editing software.
If you know you like to shoot in aperture priority or shutter priority modes, you want a camera with the bells and whistles. If you want to change lenses to provide more flexible shooting options, you’ll be taking another step up the complexity ladder.
Perhaps the most important features to consider, if you’re moving beyond a compact camera with few setting differentials, are what the camera’s sensor can do for you and the different qualities of the glass you put on the camera body. Those features have been covered in other articles on this site.
How much are you willing to invest?
Most serious photographers share a version of the same response when asked how many cameras they need, and that’s just one more. For a range of shooting situations, it might be appropriate to have a full frame DSLR with a standard set of lenses, plus a compact zoom lens camera, plus the one in your smartphone. Each one is an investment, with factors of replacement frequency, technological obsolescence, and risk if lost.
If shooting casually is your preference, the smartphone may be enough. If you aren’t bent on selling images but capturing memories, a compact might be right for you.
Keep in mind that the most expensive camera is not necessarily going to produce better images, not if you haven’t invested the time to understand how it works.
If your gear is expensive, bulky, and complicated, will it matter?
That brings us to the big monster in the room, your commitment. The financial investment is only part of it. Consider your training time in learning how to use that equipment to its maximum potential.
Other issues falling under commitment include your willingness to carry said camera on your travels. Think about airport security versus the ease of throwing another bag into your car. Consider if you’d want to lug this thing everywhere on your trip.
This is again where having a range of options is a good idea. Most of us can yank a compact camera out of our pocket and squeeze off a quick still. Opening the bag and picking the right body and lens is a bigger deal.
Criteria for selecting a Travel Camera
You might want to stick to one category of camera because it’s easy to carry and easy to use. You might want to indulge in more than one because you have varying requirements, depending on shooting situations. Special criteria, like having something that is waterproof, can also change your decision.
Since our categories are as different as the many travel subjects you can shoot, our criteria may appear generic. However, sometimes a feature is not present, but that is not a weakness when using that camera in certain conditions. We’ve included notes in the camera details to help you understand why a ‘no’ might not be that important.
Here are the comparative criteria used in our review of what experts say about the cameras on our list.
Camera type
We’ve included a broad range of camera types in our comparison, because each serves a different purpose in your photo life. We list 35mm film options for the purists and digital compacts and full sized models. Smartphones are not included, since the criteria for their selection and use differ from standalone cameras.
Weight
How much you can lug or are willing to carry influences camera choices. For camera bodies with variable lenses, we’ve included the weight of body alone. Add the interchangeable lenses of your choice.
Built in flash
Many of us like the flexibility to call upon a flash to fill in lighting on the subject in high backlit situations (like bright sunshine) or dark interiors (within a reasonable range). Not all camera bodies come with built in flash. To supplement your built-in or add a flash via a hot shoe mount, consider the weight of carrying a separate flash system.
Lens type
Cameras come with fixed (unremovable) lenses and variable (interchangeable) options that depend on mounting systems. Some lenses are fixed focal length and others are variable (zoom). Depending on the camera body, you may have choices in terms of a range of lenses.
Zoom
Zoom or telephoto capability can be achieved through camera settings or through lenses. Some cameras have neither, an important feature to consider if your travel shots need to vary without changing equipment. A telephoto lens can be an additional pricier cost to body-only purchases.
RAW image capability
This applies to digital photography only. Being able to save a digital image in RAW file format means all the details recorded by the sensor are retained in the digital file. RAW formats allow you greater flexibility in post-production adjusting and editing than a standard JPEG (compressed) file format.
Image stabilization
Image stabilization (IS) resident in either the camera or lens is a feature that will help you shoot clear images in low light conditions. Depending on the setting for your travel photo, a tripod may still be recommended. Steadying the weight of a heavy lens to avoid blurring makes IS even more important.
Video capability
If you plan to shoot videos with your camera as well as stills, we note which of our digital cameras offer the best in high definition capability, 4K. For many of us, the lower resolution of 1920 x 1080 is adequate for travel uses. Most DSLRs also offer still images in video mode.
Weather-resistant
Not all standalone cameras are weather-resistant, something to consider if you tend to shoot in travel settings where getting dusty or wet might be regular occurrences. On our list, we note both film and digital options that are rated waterproof. Some are freeze, crush and shockproof, too.
Travel Camera Recommendations
Now that your mind is whirling with choices, let’s tackle categories of camera gear. Despite their growing use as the camera of choice for some people, we do not cover smartphones and tablets in these recommendations because their criteria for selection and features differ greatly from standalone cameras.
From film to digital, what’s the best one for you? Let’s see what the experts suggest in each category.
Full-Featured 35mm Film Cameras
Most of us cannot afford to buy a camera in this 35mm class for travel use only, unless our regular job is traveling. Some models that experts like in this category are also vintage, meaning they are no longer manufactured and must be purchased second hand. Available features are not consistent across all choices.
The two cameras on our list are important in one specific feature, and that’s the viewfinder. In a SLR, you are looking through the viewfinder in a manner of mirrored reflection, the same as the camera lens does when it captures the shot.
In rangefinders, viewfinders are set off to the side and are mirrorless, meaning you only see a portion of the shot, making manual focusing more of an artistic challenge.
Other considerations include the lack of immediate access to image results, since photo developing is not an instantaneous process as it is in digital (or, like with an instant camera). For once-in-a-lifetime travel photos, you want to know they turned out before you leave a site. Still, these are valid options to include in a comparison like ours if you’re fond of film.
#1. Anon Canonet G-III QL17
- Camera type: 35mm film rangefinder
- Weight: 1.4 lbs.
- Built in flash: No
- Lens types: Fixed f/1.7
- Zoom: No
- RAW image capability: N/A
- Image stabilization: No
- Video capability: N/A
- Weather-resistant: No
What reviewers say:
Considered a compact camera by many reviewers, the Canonet series is known for its portability, affordability, and popularity. This vintage camera is easily acquired on the secondary market as it was made for many years. It’s best used for shooting city scenes as well as landscapes.
The G-III QL17 features shutter-priority auto-exposure and full manual shooting, giving you a range of control over the art of your images. It’s known for producing the image you see in your viewfinder accurately represented on the film.
It is a workhorse for those shooting situations where its limited features match what you want to capture.
Considerations:
Reviewers report perennially inaccurate light meters. This could be due to the battery indicator light, which is notorious for breaking easily, but that can be overcome by using external light metering. Using a cap to block light entering the lens extends the battery’s life – and no, it’s not a modern battery, so bear that in mind too.
If you have filters already, buy a step-up adaptor, because the Canonet uses a 48mm filter thread. Couple your filtering system with 400 ISO film, which seems to garner the best results, and you’ll be on your way to taking high quality photos at a price point well within your budget.
#2. Canon AE-1
- Camera type: 35mm film SLR
- Weight: 1.3 lbs. (body only)
- Built in flash: Yes
- Lens types: Canon FD/FDn
- Zoom: Lens-dependent
- RAW image capability: N/A
- Image stabilization: No
- Video capability: N/A
- Weather-resistant: No
What reviewers say:
If you want to load your film, compose your shot, and shoot, the easy to use Canon AE-1 is probably the right 35mm for you. The wide selection of Canon lenses means you’ll find the right tool for the kinds of travel photos you like to take, all at an affordable price. Its autofocus and manual capabilities offer broad flexibility in matching it with typical travel settings.
One feature mentioned repeatedly is the large, bright viewfinder. Another is the ease of use for seamless exposure control. Since there are no settings to worry about and nothing you really need to control, you can concentrate on the fun stuff, shooting those memorable vacation or on the road pictures.
Considerations:
The camera lacks an aperture-priority mode so if you plan artsy depth of field vacation shots, plan on finding another camera. Overall, taking quality shots with the Canon AE-1 requires thought. Shooting quickly without thought about framing and shutter speed won’t produce the results you want.
Of note also is the flash system in the AE-1, deemed primitive by some standards. This means you’ll have to consider the film ISO you plan to shoot under your travel conditions for the length of the roll. This can be frustrating if you are on tour, for example, under changing and vastly different shooting subject situations.
Compact Digital Cameras
Point-and-shoot cameras have been given a bad rap for years, with people claiming their pictures aren’t as good, their lenses are made with poor quality and workmanship, and they aren’t ‘real’ photographers’ gear. All of that has been proven wrong in recent years, including the part about professional photog camera status.
Many compacts are now made with almost identical internal workings to much more expensive DSLRs. What they often lack, though, is flexibility. You can’t change their lens, their shooting range is limited, and some of their parts are made from less sturdy materials.
Those aren’t reasons to dismiss them, though. When a full-sized camera might appear intrusive or be bulky to carry, the compact can do the job. The quality of the photo will not always be the same, but for some purposes, it’s good enough.
#3. Canon PowerShot SX730 HS
- Camera type: Compact digital
- Weight: .7 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: Yes
- RAW image capability: No
- Image stabilization: Yes
- Video capability: 1920 x 1080
- Weather-resistant: No
What reviewers say:
This PowerShot is known for being a solid all-around winner from a brand known for quality. It is versatile across many types of shooting conditions at a reasonable price point. The range of its lens adjustment from Canon wide angle to telephoto surpasses many of its competitors.
What makes this camera stand apart is its zoom – 40x – making it easy to capture distant wildlife as if you were up close and personal with them. Excellent image quality across the range of its shooting capability is something many reviewers adore. Its articulating LCD screen makes shooting selfies, a common vacation activity, a breeze.
Considerations:
The most glaring weakness reviewers note is the small sensor size and relatively low resolution, meaning image quality in low light situations may suffer. The lens is also slow to adjust at the extremes of its wide to telephoto range. You cannot shoot RAW files, meaning post production adjustments are very limited.
Some reviewers note the 730 is a little bulkier and heavier than its compact competitors. Another complaint is the lower resolution for videos, a consideration if that is part of your regular travel shooting. The proprietary battery falls slightly below average in terms of number of shots compared to others in this category.
#4. Sony Cyber-shot DSC-RX100 VI
- Camera type: Compact digital
- Weight: .7 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: Yes
- RAW image capability: Yes
- Image stabilization: Yes
- Video capability: 4K
- Weather-resistant: No
What reviewers say:
Reviewers say the RX100 VI does everything well under most travel shooting situations, even as they feel the price point is high for a point-and-shoot. Its electronic viewfinder means you won’t be squinting at the LCD in bright light situations. It offers 4K video if you’re filming action or want to scan detailed panoramas on your travels.
Another feature that sets it apart is the ability to capture RAW files, great for post-production adjustments.
In addition, reviewers like its fast adjusting lenses at the wide and telephoto ends of its range. This compact ranks highly for its overall portability, and while it weighs the same as other cameras mentioned here, its design is not as bulky for pocket transportation.
Considerations:
If you forget you have this camera in your pocket and get caught in a tropical rainstorm, you might be kicking yourself a few times, since it is not weather-sealed. It is also expensive compared to other cameras in this category. Battery life is shorter, meaning you’ll be carrying a spare, and you are limited to the built in flash to adjust lighting as it has no external flash mount.
Reviewers also comment that the resolution of its sensor is below average as compared to other cameras. Another major shortcoming is the very limited 3x zoom, weak in its class. The benefits of RAW files and 4K video may be overwhelmed by that lack of zooming power.
#5. Fujifilm FinePix XP130
- Camera type: Compact digital
- Weight: .5 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: Yes
- RAW image capability: No
- Image stabilization: Yes
- Video capability: 1920 x 1080
- Weather-resistant: Waterproof
What reviewers say:
For those folks who would rather shoot those snorkeling shots or glacier climbing adventure with a digital camera, this could be the one for you. It is waterproof to 65 feet, freeze-proof down to 15 degrees Fahrenheit, and shockproof if you drop it from your height to the ground. It’s small and easy to tuck into a pocket or hang by its strap on your wrist, and its weight at less than half a pound won’t be a burden.
For a compact camera, it includes a surprising list of features, such as image stabilization, standard video capability, and large fixed LCD screen for live viewing of your shooting. The manual focus mode helps in situations like close-ups, street scenes and lifestyle travel shots.
A smartphone app allows you to control the camera remotely, which can be a fun feature if you’d like to capture selfies in the surf or on a snowy slope.
Considerations:
This camera does not offer the range of flexibility we’ve come to expect from other digitals. The image quality under a range of conditions will not be as spectacular due to its smaller sensor, lower resolution and slow lenses. It does one thing and one thing well – allows you to shoot digital in wet conditions that would fry comparatives.
This Fujifilm cannot replace your regular digital camera, either compact or full size. No viewfinder means it might be difficult to see what you’re shooting on the LCD under intense light conditions. Its video capability is not high definition. However, it might be a solid compliment to your other gear if you want to shoot underwater or under inclement weather conditions on a regular basis.
#6. Nikon Coolpix W300
- Camera type: Compact digital
- Weight: .5 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: Yes
- RAW image capability: No
- Image stabilization: Yes
- Video capability: 4K
- Weather-resistant: Waterproof
What reviewers say:
Available a higher price point than the other waterproof compact digital on this list, the Nikon Coolpix W300 is nevertheless known as a good value for the money. It is waterproof to almost 100 feet, shockproof if you drop it, and freeze proof down to 15 degrees Fahrenheit. What sets it apart is the fast Nikon wide angle built in lens, the equivalent of 24mm.
Other interesting features include the 4K video capability, making it fun for things like filming your ride on the water park slide. The telephoto allows you to pull in for a closer still view on the slopes. The small size makes it easy to carry.
Considerations:
While the wide angle setting in this camera’s lens is considered fast, it shoots slow when you zoom in, meaning if won’t be great for shooting moving wildlife or action sports events on your vacation. The lower resolution small sized sensor produces average pictures, as rated by reviewers.
No viewfinder means you may struggle seeing what you’re trying to shoot in the LCD during bright or reflective light conditions.
This camera has not been recommended for landscape shots or for portraits for several reasons. However, that’s not the reason to buy it. Couple this with your other regular digital gear to cover the wet times, if you’d like to shoot high-def video, too.
#7. Olympus Tough TG 5
- Camera type: Compact digital
- Weight: .6 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: Yes
- RAW image capability: Yes
- Image stabilization: Yes
- Video capability: 4K
- Weather-resistant: Waterproof
What reviewers say:
Some reviewers feel confident enough about Olympus compact quality to say buying any of their point-and-shoots is steps above any competitor. Neat features include built in GPS to capture your location and attach the information to your photo’s properties. It shoots RAW files and offers 4K video, making it easy to see how it can offer a broader range of photo options.
It is also waterproof, shockproof, crush proof, and freeze proof, meaning it stands up to brutal conditions that would destroy its competitors. The wide angle range of the lens is fast, and focus stacking allows you to layer multiple images of the same shot together to enhance depth of field.
The ability to use your smartphone as a remote is a bonus.
Considerations:
While the wide angle is fast, the telephoto end of its range is slow, so if you count on fast adjustment to zoom in on your subject, be patient. Reviewers criticize the small-sized sensor as being low resolution and note reliance on the built in flash and lack of an external flash mounting shoe makes some lighting situations challenging. The camera lacks the ability to shoot in manual exposure mode.
This is not a selfie-friendly camera, since it has no articulating LCD screen. It also does not have a touchscreen, meaning you’ll have to take the time to change settings on the menus and dials. It has no viewfinder, and the LCD has been criticized for being low resolution, making it difficult to see settings under some light conditions.
Full Size Digital Cameras
The broad range of possibilities here depends on how much you want to take pictures overall, what kind of flexibility you like in settings, and how much you want to invest in both body and lenses. To make the best use of a digital camera like a DSLR, education is necessary, unlike the smartphone or even compact options. When you spend this kind of cash, you don’t want to keep the settings on automatic and never explore further.
DSLRs and digital mirrorless cameras are usually judged to be travel-friendly when the weight, size and capabilities fall into a sweet zone that makes it more joy and less hassle to use. A heavy body and heavy lens translates into more gear, like the need for a tripod to steady a shot. Add other items like external metering or flash and you’ll need a larger bag to carry your goodies.
For this category, it can come down to as simple a decision as price versus use. If you pay to play, you’ll want to be willing to take the camera out for more than your annual vacay. You might not remember what the settings mean, but if you’re serious about shooting, you won’t regret having the option to do a stunning close-up, a great landscape, and action shots in between.
#8. Nikon D3400
- Camera type: DSLR
- Weight: .9 lbs. (body only)
- Built in flash: Yes
- Lens types: Nikon F
- Zoom: Lens dependent
- RAW image capability: Yes
- Image stabilization: No
- Video capability: 1920 x 1080
- Weather-resistant: No
What reviewers say:
This entry level DLSR offers high image quality, making shooting clear and accurate stills and videos while you travel a breeze. The sensor in this body is the same as the one built into many of Nikon’s more expensive models. The wide range of lenses available for this body means you’ll have plenty of extra options for unique photos from the locations you visit.
A couple of areas where this Nikon stands apart from its competitors is the coupling of a built in flash with an external flash shoe, broadening the possible range of use in low light conditions. It has the longest battery life of any camera in its class. It’s a good all-purpose camera for most common travel uses.
Considerations:
The Nikon camera does not have the full range of features in more expensive equipment in the Nikon line. The LCD is also not a touchscreen, so you’ll need to take time to adjust settings on dials and menus. Images can be distorted by the lack of software to compensation for its lack of an anti-aliasing filter.
Autofocus is relatively basic, which translates into the occasional blurry still or a delay in shooting while the camera catches up to your subject. The lack of image stabilization in the body means you’ll be relying on the lenses for this instead. Since it does not have an internal focus motor, older lenses in the Nikon line will not autofocus when mounted on this body.
#9. Canon EOS Rebel T7i
- Camera type: DSLR
- Weight: 1.2 lbs. (body only)
- Built in flash: Yes
- Lens types: Canon EF/EF-S
- Zoom: Lens dependent
- RAW image capability: Yes
- Image stabilization: No
- Video capability: 1920 x 1080
- Weather-resistant: No
What reviewers say:
This latest in the series of Canon Rebels is readily available as a reasonably-priced kit with a standard T7i compatible lens or two through many outlets. Its size, judged compact by many, still offers the range of controls and shooting options you want to expand your travel photography repertoire. With the addition of the extensive list of Canon lenses, this camera can do just about anything you want it to, including be simple to use.
The T7i has many features, giving you great flexibility across the wide range of shooting conditions you might encounter on your travels. Its autofocus adjusts quickly, making it a star in action adventures, and while it does not have a full frame sensor, it still excels in low light conditions. Quality video makes it a good all-around camera for myriad travel situations.
Considerations:
Reviewers note that the T7i body does not have image stabilization; Canon relies on the array of lenses with IS capability to supply this. The body is not weather-resistant, meaning under some environmental conditions, your camera could be at risk. Some may find the smaller APS-C sensor does not offer enough resolution for their artsier shots.
It should also be noted that this Rebel is slightly heavier and slightly more expensive than its Nikon counterpart, the D3400 also included in this list. Some may find it to be chunky to handle if your hands are small. If you shoot video a lot, you might want to reconsider this as a selection, since it is not 4K.
#10. Pentax K-70 
- Camera type: DSLR
- Weight: 1.5 lbs. (body only)
- Built in flash: Yes
- Lens types: Pentax KAF2
- Zoom: Lens dependent
- RAW image capability: Yes
- Image stabilization: Yes
- Video capability: 1920 x 1080
- Weather-resistant: Yes
What reviewers say:
This entry level camera is competitively comparable to the Canon Rebel T7i and the Nikon D3400 listed elsewhere in this article in terms of both features and price point. One feature that sets it apart is its weather-resistant sealing. Reviewers like the fact that the viewfinder offers coverage of 100% of your image, making it easier to shoot accurate pictures.
Reviewers particularly commented on the in-body image stabilization, since the K-70 will not have to rely on IS in its lenses instead. Coupled with this, its high resolution mode takes multiple images of a scene and combines them, providing a much higher resolution result. The lack of anti-aliasing filter adds sharpness and detail to your pics.
Considerations:
Pentax does not have an extensive list of lenses, though the selection appears to be adequate for most average shots even if the glass and optics are not of the same quality. Its weather sealing adds weight to its body, and when mounted with a larger lens, this might not be the best option for average travel photography.
This camera also does not have touchscreen capability as its competitors do. If that’s a feature you rely on to change settings quickly, look elsewhere. Video is adequate for most needs, unless you shoot a significant amount of it.
#11. Olympus OM-D E-M10 Mark III
- Camera type: Mirrorless DSLR
- Weight: .9 lbs. (body only)
- Built in flash: Yes
- Lens types: Micro Four Thirds (MFT)
- Zoom: Lens dependent
- RAW image capability: Yes
- Image stabilization: Yes
- Video capability: 4K
- Weather-resistant: No
What reviewers say:
This Olympus OM-D E-M10 Mark III is best known for its robust features, portability, and value for the price. Its images remain crisp and accurate across many shooting conditions, including high definition video. Its four thirds sensor works well in low light conditions, providing shallow depths of field and pleasing background blurring in close-ups.
This camera excels at street photography based on its ergonomic feel and image stabilization. The tilting LCD screen allows you to view your image in real time with ease, or you can use the built in viewfinder (not available on all cameras in this category) and keep the gear close to your body, eliminating shake.
Its Micro Four Thirds lens mount opens the door to use of a broad array of mirrorless lenses, mostly prominently from Olympus and Panasonic, both known for their high quality.
Considerations:
This Olympus is not weather-sealed, making it a poorer choice for outdoors and landscapes shooting. Since many of us face challenging environmental conditions in our travel adventures, this is a definite factor to keep in mind. This camera body alone is a major investment, which means it might not be your best choice for outdoors travel pics.
Its 16MP sensor is deemed to be a negative by some reviewers due to its low resolution. It may not produce the gallery-quality shots you need for more professional work. You might also be paying for the flexibility of a multitude of manual shooting features you never use, leaving the camera on auto and using the touchscreen to shoot most of the time.
#12. Sony Alpha a7R III
- Camera type: Mirrorless DSLR
- Weight: 1.5 lbs. (body only)
- Built in flash: No
- Lens types: Sony E
- Zoom: Lens dependent
- RAW image capability: Yes
- Image stabilization: Yes
- Video capability: 4K
- Weather-resistant: Weather-sealed
What reviewers say:
This Sony a7R III has several features to recommend it. First, its full frame sensor allows more light in, as compared to the APS-C sensors many other cameras even of similar size have. Coupled with the mirrorless 42MP high resolution sensor, and you have a camera loved by both enthusiasts and professionals.
The long battery life will keep you shooting long after other cameras would need a power boost.
Coupled with any of the wide array of available A7 lenses, this body will help you translate that amazing vista or unique street scene into an unforgettable professional-quality photo. Considered all-around great under almost any shooting conditions, reviewers score this camera superior in street photography, landscapes, and event shooting. Since it also produces quality portrait and daily life stills, you can capture almost any kind of travel visual.
Considerations:
This camera body is twice as heavy in both price and weight compared to many others in its class. It does come with image stabilization, meaning you might not need to take a tripod on vacation too – though it probably will help. Add the weight of a lens or three and you might be thinking about a roller bag or heavy duty DSLR backpack.
The a7R III does not have a built in flash, a shortcoming only slightly overcome by its wide shooting range, from low light to sunlight. Finally, there’s the price, which isn’t cheap. But, if you’re shooting year-round and not just during your travel stints, it may be worth your investment.
Single-Use (Disposable) 35mm Film Cameras
Yes, single-use disposable 35mm film cameras still exist, and some take surprisingly good shots under the right circumstances. If you’re in conditions when carrying a more expensive permanent camera is a risky proposition, consider a disposable instead. Ditto if you’re doing something like snorkeling or skiing, but it’s not your usual mode of shooting.
The general downside of disposable film cameras is the need to send in the box through whichever channel you prefer to see the photos. You also won’t see the photos immediately, as you can on a digital camera, meaning you won’t know if they turned out until you receive the developed photos. Disposability implies lower quality of mechanics and glass, less functionality, and higher cost.
Disposables are great for general throw-away, carefree uses. Bring a stash for that troop of scouts out on a camping adventure. In that case, this might the alternative you’re looking for.
#13. Kodak Fun Saver 800
- Camera type: Single-use disposable
- Weight: .1 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: No
- RAW image capability: N/A
- Image stabilization: No
- Video capability: N/A
- Weather-resistant: No
What reviewers say:
It’s hard not to feel nostalgic about the Kodak Fun Saver, since the style and comfort in the hand have not changed since its introduction decades ago. It still has the ease of use designed for the first time photog, as well as the quickly responsive shutter button and audible shutter click providing shot confirmation pros rely on. It is generally available anywhere disposable travel cameras can be found and it won’t break the travel budget in the process.
This camera does well capturing low light images as well as sunshine without overexposure due to its 800 ISO 35mm film, making it very versatile across the range of travel shot options. Its built in flash makes shooting in low-light conditions possible. Images are not grainy with general warmth in tonal quality.
Considerations:
While the flash helps in those night or interior conditions, the range of the flash is not far, meaning the foreground of your picture might be in brightness while what you might want at a distance is hidden. The distance from you to your subject therefore becomes important in framing the shot. The recycling on the flash may sometimes be a question, meaning you’ll take the next picture but no flash will occur.
This is a single-use camera, and as such, doesn’t offer flexibility in your photography, such as varying lenses, settings or ISO. Processing is done at a one hour photo store or via mail, meaning you will not know immediately if your photo turned out as you would with a digital camera. Think of it as anticipation for the (hopefully) great shots you’ll receive.
#14. Fujifilm QuickSnap Flash 400
- Camera type: Single-use disposable
- Weight: .1 lbs.
- Built in flash: Yes
- Lens types: Fixed
- Zoom: No
- RAW image capability: N/A
- Image stabilization: No
- Video capability: N/A
- Weather-resistant: No
What reviewers say:
With an ISO of 400, this Fujifilm QuickSnap 35mm one time use camera has been dubbed ideal at a range of high and low light conditions. Reviewers say the resulting photos are very sharp. The camera itself is easy to use, making it a good choice for new or non-photographers.
Its price point is low too, so you won’t feel as bad if you waste a frame or too. This is a good option to give to your kids if they are interested in photography, but you won’t be going along to supervise on their travel adventure. Generally, anyone who is unfamiliar with photography will like the flexibility of its occasional use without a big investment.
Considerations:
There have been reports of the film being previously exposed in some cameras, something that is impossible to check until it is developed. Supposedly, developers will reuse film, but this cannot be verified (and frankly, hard to consider how it could be done). Others report either over- or under-exposure conditions from ‘bad’ film or malfunctioning cameras.
This Fujifilm camera requires a single AAA battery, unlike others in this category. Some reviewers comment that the flash range, at 10 feet, is still inadequate. It is not as easy to find in stores at common travel destinations.
#15. TIE – Kodak Weekend Underwater and Fujifilm QuickSnap Waterproof
- Camera type: Single-use disposable
- Weight: .4 lbs.
- Built in flash: No
- Lens types: Fixed
- Zoom: No
- RAW image capability: No
- Image stabilization: No
- Video capability: No
- Weather-resistant: Waterproof
What reviewers say:
Some version of disposable waterproof camera must be included in this category, since that’s the reason why many of us with other standalone camera options occasionally pick one up. The choice of which to include in this disposable category was tough, since quality in both Kodak and Fujifilm appear to be neck and neck. Complaints about each are consistent, too.
The sturdy build underscores resistance to both water and droppage. At 27 images and ISO 800, these 35mm film cameras offer the standard flexibility of having a disposable, with ease of use for the occasional camera user. Waterproof, shock-resistant and affordable, this might be ideal for those snow or beach adventures – or even for a vacay at the local water park.
Considerations:
There have been reports that film appears to be faulty, since photos on the same roll and taken at the same time show vastly different exposure quality. Underwater disposables are notorious for grainy images and inconsistent image appearance because there is no adjustment for lighting the subject. It’s also hard to tell if the film has advanced in underwater conditions.
These cameras do not come with a flash, meaning that if you want to use it in dry, low light conditions, your resulting images will probably disappoint you. The winding mechanism in the Fujifilm model is sometimes reported to feel clunky, like it jams, concerning some reviewers about its watertight feature. Some people reported consistent blurring in images taken with the Kodak model, which they deemed to only work under perfect light conditions.
Click to See Price: TIE – Kodak Weekend Underwater and Fujifilm QuickSnap Waterproof
